These works treat drawing as a material act of contact. Surfaces are pressed, cast, and disrupted, producing forms which sit between imprint and fragmentation. Marks operate as physical residues rather than descriptions.

The body appears not as image but as index, registering pressure, weight, and contact. Fragments accumulate and displace one another, creating unstable structures which resist resolution.

The works engage with habitat as something shaped through interaction, where presence is partial and contact leaves only traces.